Cottage Dispatches: On Making the Dock Whole

We’ve only owned a cottage since Covid, and after replacing the original sinking dock with a brand spanking new one, we’ve had to figure out how to manage the moving parts. The first winter, we were dismayed to find a part of our dock frozen close to the shore—not where we left it. The dock comes in three pieces: the weighted ‘island’ floating dock, which is supposed to stay in place and freeze into the ice; the ramp (middle section), which gets removed for the winter; and the stationary platform permanently connected to shore.

Last spring, we simply arrived at the cottage and voila, the island was rescued and the ramp was magically set back up thanks to the help of a rescue crew who retrieved the wayward floating dock, and put the whole thing back together for us. A hired rescue crew. I naively thought the rescue was part of the initial package we paid for because of how casually the owner responded when I phoned to tell him what had happened. “No problem,” he said, “we’ll come fix that for you.” Whatever demented part of my brain believed that a company of men would drive an hour to rescue a dock, install it, and drive an hour back is now forever cured by the hundreds of dollars we paid, rightfully so, in labour. And so this year is the first time we are on our own for dock reinstallation.

The chasm between the floating dock island weighed down by 1,000 pounds that freezes into the ice through the winter and the stationary permanent platform seems woefully far, standing back at the shore. Dan and I scratch our heads. Our job is to install the ramp, which consists of a metal base with a massive 250-pound floating device that sits in place with the careful insertion of four sturdy pins. Once the metal ramp is in place, we have to lay down four sections of wooden planks on top to complete the installation. Which end to attach first? How to not crush one’s finger or fling oneself off the edge of the dock into the frigid rocky depths? How to avoid slamming hundreds of pounds of expensive equipment and damaging said equipment essential to cottage life? How to avoid going into the lake?

Well, as it turns out: brainstorming, trial and error, problem solving, meticulous planning and generosity of spirit.

One of us would have to go in the May water. That person would be Dan.

After debating dropping the 250-pound platoon attached to the metal frame of the ramp off the edge of the stationary platform, we rescinded. The idea seemed both foolish and dangerous. We would have no way to control the beast from smashing off the platform and huge boulder below. Instead, Dan’s idea, we ferried the ramp out from shore, and this worked quite well. Point, Dan and Adelle.

Dan has a better sense of how things work than I do, so I listened as he problem solved. Sometimes his lengthy pondering can rub up against my let’s just do it! attitude, but I see the benefit of carefully thinking things through here.

The wind seems to be picking up, and while we do ferry the heavy ramp out with success, our attempts to line up the unruly ramp to install the two metal pins on each side is another story. The oversized pins serve as the dock’s hinges. We go along with Dan’s proposed solution first. Attach the two pins closest to us, shore side, then attempt to manoeuvre the other two in. But the dock won’t quite move that way. No matter how much we pull and prod, we can only get three out of four mental pins in place.

The floating dock is immobilized by four 250-pound weights. Each of those weights is attached with heavy rope to an anchor accessible by unscrewing its respective wood panel. We hate messing with the ropes. That’s how we lost our floating dock the first summer, the ropes came untied in the waves and loosened all the way. This past winter, we added a heavy metal chain from floating dock to land for extra security.

Three out of four pins in place. What to do? What to do? The partially installed ramp is getting hammered with waves, the wind is matting my hair, the black flies making their presence known. We are now two hours into problem solving Dan’s way. We’ve tried installing the pins in from both sides first—same problem. “We have to loosen the ropes,” I say, “The water level’s raised; it’s got to be that.”

Dan isn’t quite sure, but it’s my turn to problem solve. He wades through the cold water, past his hips, with a drill in hand, and carefully removes the wood panel to access the rope to one of the weights. He loosens the rope all the way. There seems to be some give. He opens up another panel. Loosens the second rope. Now the dock is malleable and receptive to our manoeuvring, and Dan easily slides the posts into place to install the pins. Success!

“Hey! I was right!” I cannot resist gloating somewhat over having figured it out.

“You were. You were right, good job.”

From there, the four sections of boards fit on top, no problem. Dan didn’t even need me for that.

And while I wasn’t the one who went in the water, and I did not use the power tools, and I did not do the bulk of the lifting, and I definitely would not say I could have done the job on my own—it was my solution that achieved the desired result. Dan couldn’t have done it on his own, either. He would have figured it out eventually, but the job was done faster with two heads instead of one. So much of our life together is like this. One person taking the lead, and then the other stepping up to fill in the gaps. To make the dock whole.

Beers and cheers at the end of our finished dock? Definitely. We christened our work as the sun sank lower in the sky and kneeled down on the shadowed hillside.

Next up, time to fix the water line…

Curiosity Over Fear

What is it that your heart desires? I think about this question often. I check in with myself to see what are my goals and am I on track to reach those goals with how I’m living my life?

I am convinced that saying what we want for ourselves out loud is one of the hardest things to do because then we have to decide whether to follow up on those desires. We have to act to lead ourselves toward the life we want. To follow up on our own dreams can mean to risk disappointing the people we care about. But if we don’t follow up, we risk disappointing ourselves. To act can also mean to risk failure. We might not make it. Nobody likes to experience failure. The alternative is to do nothing, say nothing, and live the life that comes not necessarily easily, but the life that already stretches out before us. The life we have curated for ourselves, either deliberately or by default. It’s easier to continue moving forward on the set path than it is to admit the life we really want, and risk failure. But in the same breath, if we continue on the set path then aren’t we also risking growth? Self-fulfillment? A meaningful life?

After a late night spent watching an episode of The Last of Us, Dan and I jog Atlas on the nearby cinder trail. On these runs and dog walks, we talk about our family life and our children, but more often we find ourselves discussing our professional lives, conflicts, aspirations, and fears. On this particular morning, I was talking about job prospects with him. I’m a teacher and a writer, but how to hold space for both of these work identities? Which opportunity is the right one to pursue? Which way is the right way to be, I am perhaps really asking. “I know what I want,” I suddenly say to Dan. And I pronounce the words out loud. He nods his head; he already knows.

That afternoon, I’m running late taking my kid to a friend’s kid’s birthday party. We burst through the gymnasium doors hand-in-hand, her and I, my hair soaking wet and dripping onto my florescent pink sweatshirt. I squeezed in a quick shower after the run and was predictably running a few minutes behind. My daughter runs off to play with the other six-year-olds. I squeeze my friend tight, mother to the birthday girl, and she introduces me to another parent, a mom of four kids whose daughter attends ballet class with mine. The mom and I fall into easy conversation, and she tells me she’s an employment counsellor. She helps people find jobs. “I’m talking to someone about a job this week,” I tell her, and we talk about building careers after motherhood and stay at home parenting, and the sacrifices and the getting to what it is you really want. “I basically had to shut out my family life for two years to do my Masters,” I admit. Building a career does not come without sacrifice, and I’m striving for balance. I tell her how I know, from talking to hiring managers and listening to TED talks, that men often apply for jobs for which they are underqualified, and women often won’t apply at all unless they have every qualification listed. “But why not just go for it?” I offer.

“My uncle once told me,” she says, “that you should apply for jobs where you only have 50% of the qualifications listed. That way, you leave yourself room for growth.” Wow, yes. Room for growth. I find this to be true of myself. I’m rarely interested in jobs I already know how to do easily; I seek a challenge. Leave room for growth.

That day, I come across a reel posted by novelist Gwen Tuinman who says, “Creative living is any life that you live where your decisions are based more strongly on your curiosity than your fear.” As she arranges stripped-down, windswept sticks and feathers in an interesting pattern to be photographed, Gwen suggests that when we make decisions “based on curiosity rather than fear, you will be engaging with creativity; your life itself will become a work of art.” I do want to live my life guided by my curiosity, that which I do not yet know how to do, rather than by my fear. The fear of getting it wrong, of losing what I have, of not being enough. The fear of failure. And it’s a decision and commitment I have to make over and over; curiosity over fear.

What is it that my heart desires? A creative life.

On Being A Happy Person

I think of myself as being a happy person. I hope people who know me would describe me that way. What does it mean to be a happy person? Can someone become a happy person? Nature or nurture or both? For me, being a happy person comes from a happy childhood, I was well held, and from fostering a positive outlook on life. I think, to be a happy person, one needs to be content in one’s own skin. To be able to look at yourself in the mirror and at the very least say, “This is it. Here I am, world. Take me or leave me.” To know that whatever or whoever you are in this space, that it is enough. You are enough. More than enough. You are a dazzling star.

That’s happy person talk, forgive me. Happy people speak kindly to themselves and others.

            The more I reflect on being a happy person, the more I think being a happy person has to do with being able to accept and delight in other people’s happiness. Happiness as a contagious, infectious, condition. Happiness that is meant to be shared and reciprocated. Happiness that bubbles forth and rejoices in everyone it meets and touches.

            To be a happy person does not mean that you are forever happy. Like everyone at some point, I have experienced deep soul-crushing grief and sadness. Huge losses. Major setbacks and failures. But the happy person finds their way back to the light. In their own time, to be sure, but the light is a beacon that calls and the happy person must eventually answer. The happy person is the light. You may argue with me here or disagree, but part of being a happy person is about making the choice to be one. “Is this yogurt cup half full or half empty?” Penelope asks me this morning. I’m always leaning toward half full.

            But the flip side is not true. Unhappy people have not necessarily chosen to be so. I am not being so flippant as to suggest one can simply will their way into happiness. Many folks need medication to get there. If I needed medication to feel happy and content, I would take it, if I could.

True feelings of happiness at its height are fleeting even for the happy person. But the happy person walks around content. With a smile on their face. The smile makes the happy person feel good (and sometimes it’s the other way around). I don’t buy ‘fake it until you make it’; the happy person is genuinely happy, and I think they are so because they have allowed themselves to feel their true feelings as they arise, and they have dealt or are dealing with those feelings— even the uncomfortable ones. Especially the uncomfortable ones. I feel happiest when I’ve dealt with my feelings, and to do so, I often use the page.

I think the simplest things in life make me happiest and bring me the greatest joy. And by simplest, I mean the things that come naturally. My love for my children. Getting up early and catching the winter sunrise dance in the sky. Taking the dog for a walk on a frosty morning and seeing my cold breath suspended. The first steaming sip of my earl grey tea to begin the day that jolts me awake. Tucking myself into bed early, pulling the cozy flannel sheets right up over my chest and cracking open a new book to read. My husband’s warm hand tucked gently around my waist. Finishing writing a sentence on a page.

I have faced ridicule and spite for being a happy person. And found myself in awkward situations. Wives whose husbands have asked, “Why can’t you be happier, like Adelle?” Comparison is the surest way to feeling unhappy, and I’m guilty of it myself.

As a kid, I was a competitive gymnast. Participating in sports throughout my life has brought me great happiness, and exercise remains an instant mood booster for me. At fourteen, I was at the height of my gymnastics career and dating a high school boy. I used to think, at that time, that being happy meant denying sadness, but I now know that’s not true. I was introduced to a girl who had a crush on my boyfriend. I didn’t know she was interested in him. “Hi! I’m Adelle!” I said in my singsong teenage gymnast voice, extending my hand. I was happy to meet her, a new face. She ignored my hand and sneered at me, then turned to the person behind her and said, in a mock tone, “Hi! I’m Adelle” And I remember the shock of that blow, of being mocked for who I was and how I spoke and the realization that not everyone accepted me for who I was, even when I’d conceivably done nothing wrong. And perhaps it’s my life’s work to realize that being a happy person does not mean that I need to please others. Being a happy person does not mean that it is my job to make other people happy.

            Being a happy person is about finding that happiness, creating and fostering it first for myself. That happiness is then shared with the people I love and those in my sphere. Those who truly love me never begrudge my happiness.

End Note:

Over the course of writing this blog, I experienced some deeply unhappy feelings. I usually write blog posts on a different day than I end up posting them. This post was written during a pleasant morning when I was feeling quite happy and content. The next day, the wind shifted. My aunt died. My daughter was diagnosed with a life-altering disease. Innumerable other small unhappinesses seeped into my life unbidden and unannounced, just like that, at the passing of a day. I thought, oh great, how am I going to post that happy person blog now when I’m feeling decidedly unhappy? I wanted to scream I feel like crap at the version of myself that declared herself fulfilled. Time passed. I worked on other pieces of writing and let the blog sit. I waited some more. Friends texted. I visited with family. I talked my feelings through with my husband and gave myself a bit of space to process. A few days later, something had shifted. I could see the things waiting for me that brought me joy and that lifted my spirits. I accomplished a few difficult tasks. I tried my best to stay true to myself and my own needs and desires, in addition to giving to my family and the community around me. I did yoga first thing. Went for runs. I found rhythm in my work. And the happiness hung around like a glow, almost perceptible in my chest, its embers flashed and danced inside me again.

The Beast of Longing

I wake early, six a.m., squinting against the bathroom light. Outside is a dark bruise. I rally the troupes—Dan, the dog—come on, I say, let’s go for a run. The trail near our home where the dog runs off-leash is closed, but perhaps, in the early hours and cloaked by darkness we can jog along the path unencumbered and free. I want to run that way, released, feel the burn in my lungs, the lash to my legs, the pumping of my heart, you are you are you are here. But also, to unleash the feeling that’s grown deep and restless inside me, the beast of longing. Ah, yes. The beast of longing. Her. We are well acquainted. I hold myself fixed to a certain goal and the beast of longing grows and grows, alongside my ambition. She can be monstrous, dangerous. Do not poke her or provoke, she will devour you whole.

Only our front porch light torches the way, the sidewalk ahead is encased in a shrouded mist of black. We move, the three of us, into the morning night. I lead the way, loosening, my muscles adjusting, arms tucked close weighted by fists, one foot falling in front of the other, a light determined step. We find our way down paved roads lamp-lit to arrive at the opening of the forest. The opening is a tunnel of darkness, black turned in on itself. I flick on my phone flashlight. Stay close. Cedar roots jut out from forest floor, mud patches, stumps, loose stones and boulders litter the way as we make our way down the steep incline to the cinder path, my companions trailing behind disappear outside my light. We arrive, and the cinder path lights up reflected in the mist and I switch my phone flashlight off. Total black save for the star stream of bright at our feet.

We make our way easily down the now flat trail, hop hop hop hop; our feet little rabbits. The forest on either side of us holds unknowns, threatening mystery. I recall the man encamped within, illegally, who wouldn’t—couldn’t?—stop screaming one morning. A jogger passing by called 9-1-1, but the camper refused help, howled and howled, and sent the ambulance away when it arrived. I don’t know the camper’s wider story, but I do know what it is to howl. And how it is when the howling inside will not abate.

Footsteps, ours, stones scraping, heavy breathing, the distant whoosh of passing cars, the only sounds. The morning night is spooky, but our trio is at ease in each other’s company. I unwittingly call to mind the coyotes who leave the entrails of their meals littered across the trail. Safety in numbers. We hit the halfway mark and turn around.

As our eyes adjust to the night, our footfall to each other’s cadence, so too does the dawn break and the light creeps back in. Barely perceptible, then all at once, undeniable. Where once my foot fell into an abyss of black, now roughly defined features of craggy earth reveal themselves below. A large pile of dirt from the trail workers, we were lucky not to have tripped over on the way out, rises before us. Piles of excrement, as well, we are quite pleased to have dodged. And perhaps the most surprising, the metallic jaws of a dinosaur, an entire excavator, sitting alongside the trail, bucket raised with sharp teeth.

My mind churns, and I dig into my own short-comings, feelings of perceived failures arrive at this early hour unbidden. The beast of longing. She has found me, even here. I can’t stop my thoughts from rising up, howling, but I don’t stop running, never stop running. One foot in front of the other, we press on. I don’t say a word.

We reach the base of the hill leading back to home. Up we climb, up and up and out of the forest. And it’s brighter still. A matte sky. The street lamps look silly casting their glow in the brightening day as the mist fades away.

And I know, running back down the road towards home, that I will write about this moment. I can already grasp the metaphor of moving through darkness, tucking into the forest, and re-emerging into the light, but I don’t yet know what it means.

Sick with the monster of my own longing, that weighty beast, I can do nothing but finish the run. See it through. Feel a measure of comfort from the company of my companions. I don’t understand what it means to wander in the dark and keep moving until the light. Keep moving until the light. Keep moving toward the light. Toward the light. Persevere. I write my way there.

Star Sleep

I woke up outside shy of 4:00 a.m., cold and in the dark, to a chorus of wolves yipping, barking and howling far off in the distance.

I decided to rekindle the fire I lit before going to sleep. I pushed back my warm covers to a barrage of cool air hitting my face. I poked at the embers, seasoned their glow with leaves and twigs, then threw on three more logs and breathed life back into the fire that sparked, snarled and snapped back at me. Dan slid off his side of our air mattress to take a leak. Climbing back into bed, I pulled our flannel comforter over my head, peaking out enough to allow a breath of cold air in, and a small window out to see the flames, which roared sideways in my direction like a woman’s fiery orange hair come alive. An owl in the trees nearby who whooed and the loon’s wails echoed, haunting the lake until dawn. When I awoke a few hours later, the birds were chirping, a few Blue Jays squawking, but it was the sound of the busy bees buzzing to and fro, choosing their flower, buzzing off into the trees surrounding me, that filled my ears. I spotted their hive high up in a birch tree.

We were at our cottage, and the night before was calm and serene. I raked out our fire pit to create a flat surface, then laid two logs down parallel, filling the space between them with leaves, twigs and bark, arranging my kindling down across the two logs like a bridge. The fire caught beautifully. Dan fished off the dock with Penelope and Elyse, and I swam with Ariel and a neighbour as the sun sunk into the shadowed hills. By the time the swimming was done and the stars were out, one log laid nestled against the other like a burning work of art. We sat with the girls, working on a crossword together by the fire, roasting oversized maple marshmallows. Finally, bedtime for the kids, but I wasn’t ready to leave the perfect fire and still night, not yet. Dan ushered the girls into their beds, and I sent him a text.

Dan. I’m super excited. Tonight’s the night.

I looked up from the fire to find him standing at the window of our screened-in porch above me.

“I know what you want to do,” he called down, and I saw him roll his eyes, a slight shake of his head with a smile across his lips. Dan has an uncanny ability to read my mind. He knew EXACTLY what I wanted to do that night.

In the few days before, I had one of my BIG Ideas. The last time I had a big idea, we ended up selling our home and traveling around the world as a family. This new big idea revolved around a potential future book project for which I was compiling a list of experiences that intrigued me. Not a bucket list—exactly—more of a loving living life list. One of the experiences was to sleep under the stars.

Once I get an idea in my head, I have a strong desire to carry it out. Dan barely resisted the idea of sleeping outside the cottage all-night, though his initial text reply was: I don’t care to. With the temperature dropping to twelve degrees Celsius overnight, I would need his warmth and feel safer tucked into his side. I was relieved it wasn’t that much work to convince him. The last thing Penelope said to me before falling asleep was, “Don’t get eaten by a bear.”

With our plans for the night in place, we set to work.

“You get the tarp, I’ll blow up the air mattress,” Dan said. We set the air mattress on top of the tarp, and Dan emerged from the cottage with an armful of bedding. We layered up, I added a few more logs to the fire and the two of us laid side by side looking up through a window of trees at a bowl of stars. “Did you see that?” I asked him. We both had. The distinct glow of a shooting star pulsed and then faded across the sky, an astral firework. We kissed goodnight and rolled into each other for warmth, me in my hoodie, socks and flannel PJ bottoms, him in shorts and a long-sleeved tee. Dan’s light snores cast out into the night, while I laid on my side, gazing serenely at the fire until nodding off into an easy sleep.

So how did the night go? Dan slept somewhat fitfully, waking around two, three, and four a.m., while I fell asleep somewhere close to midnight and got up closer to four to mess with the fire, which, I learned, does not provide much warmth unless you nestle up fire-hazard close. While my body didn’t benefit from the fire’s warmth, my face turned toward it did, and I basked in its warm glow.

At one point, at some ungodly hour, the distinct sound of a twig snapped nearby—quite close to us. Dan tensed beside me, waking us both up. I slid down further underneath the comforter while Dan lifted his head. I thought of the mink that lives by the water’s edge in front of our cottage, and the large fisher, a bear-like creature with claws that our neighbour saw passing by the top of his driveway the other day; as well as the porcupines the Madawaska Valley is named after, skunks, racoons and of course, the bears, which I have only seen forty-five minutes away in Algonquin Park. No further sound. Within a few minutes, Dan’s breathing slowed again, and I fell back asleep to the rhythm of his easy snores and the comfort of the fire. The sound was likely a chipmunk scurrying in the rock pile above our heads where they live. In the night, every sound is amplified.

When the sun rose, I assumed I’d wake and slide right into the lake for an early morning dip, but it didn’t happen that way. The stars subsided, giving way to a cyan sky. Dan left the warmth of our nest to go fishing and I pulled the comforter back over my head until way, way after the sun came up. I sank further into daytime sleep. I wanted to hold onto the dream of the wolves howling in the night with my eyes closed a little bit longer, a little bit longer, listening to the bees and the birds, knowing it had all been real.

 

New Beginnings

From every ending comes a new beginning.

This phrase is tired, overused, cliched, but I can’t help but see a red sun sinking deep into the earth, the black of night, the moon a pearl in a quilt of stars; and then as though a God were fishing, the sun hooked and reeled back up into its perch in the sky, dressed in muted yellows and luminescent golds. Something new, ready to begin.

My MFA program has ended. I spent two pandemic years immersed in earning a Master of Fine Arts in Creative Nonfiction Writing.  “We’re masters now!” my peers and I joked at graduation. Yet every master knows that only a fool would consider themselves to have mastered a subject to a point of completion. The learning has just begun, and will begin again tomorrow, and the next day, if we’re lucky. Still, the intensity of the program, the degree to which we immersed ourselves in that learning, focused in on honing our craft, applied critical thought to ideas, worked to deadlines, received feedback and tried again. And again. And again. To improve and get better. This is worth an oversized piece of paper and a pat on the back. That the learning should and will continue does not diminish the accomplishment. But, maybe, just maybe, if you’re like me, before you dress in that graduation gown and plop the cap askew on your head, tassel waving in your eyes; before you strut across that stage to fanfare and applause, smile plastered across your face; before all of that will sit a question high on your list of priorities to attend to. A big question, the one that’s constantly at my throat, clawing my insides, pushing me further into the deep thick of this life’s offerings: What’s Next?

I really, truly, like to know where I am going. Not everyone does.

From every ending comes a new beginning.

A month or so ago, on a day when I may have been pondering that question of what’s next, an email jumped to my attention on the screen from Alison Wearing whose newsletter I subscribe to. Alison is a writer who runs Memoir Writing Ink (an online memoir course) and facilitates writing retreats around the world in addition to the many other hats she wears. I have read her books which are enthused with life and humour and seen her animated readings. She has a charismatic theatrical personality that only the dullest of person would not find charming. I know others who’ve attended her workshops and retreats and I have long since known I have something to learn from this woman. I just didn’t know when exactly that would be or how. Other paths have bumped into each other peripherally the past few years, with her name poking up for me here and there, and about a year ago, I seriously considered attending her writing retreat in France. I looked through photos, reviewed packages. But the timing was wrong. I already had residencies to attend where I would be engaged and working with other writers, and the MFA was intensive and consuming. France would have to wait.

But the email that came into my inbox from Alison was about two magical spots that had opened up in the France retreat in June. These were truly last-minute spots due to cancellations. An end for someone else meant a possible new beginning for me. Alison was seeking out published writers to fit in with the group, and I could sense this retreat would be a good fit for where I’m currently at in my writing process. I have essays to edit. The timing was right. The exact week of the France retreat, I had planned to be on a self-imposed writing residency with a friend anyway. My writing friend is a world traveller. Literally, she has been to every continent and over a hundred countries. We had planned to meet in Barry’s Bay, Ontario, where my cottage is located to get some work done. “How do you feel about going to a writing retreat with me in the South of France instead?” Reader, there was no hesitation. I reached out and applied to Alison Wearing’s retreat right away, and by some stroke of magic, within hours of receiving the invitation (because that is exactly what that email was, an invitation from the universe) I had a confirmed spot, and my friend too! And we were on our way to France.

What’s next?

You could argue that a trip to France is nothing but an elaborate distraction; that travel, in general, is simply a way to pull yourself away from the responsibilities of real life. But if I’m going to keep writing and moving on to the next thing, I need to recharge, to feel invigorated in my life and have things to look forward to. I need space and time to myself and with other creatives. I need to experience the world outside of my office window. Why not surround myself with beauty and do this in the wide open air countryside of southern France?

What’s next is a writing vacation, the rest of summer, and the business of real life. Trying to find an agent, secure a teaching job as a writing instructor, finish editing my essays, continue writing and running my own retreats and believing in myself. What’s next is more family life and visits and house cleaning and cottage maintenance and the plethora of usual adult responsibilities.

But first, we celebrate.

How many trips across that stage does one get to make? Visiting my in-laws, my brother-in-law asked me, “So when are you going to get your PhD? He was partly joking, goading me on, knowing it’s an avenue I’ve considered. What’s next? I have no plans to pursue another degree as of now, but who knows? What’s next is clearing the space in my mind for future plans. What’s next is being pulled by the tides, not adrift, but not fully in control of my final destination either.

But for this moment, I see myself holding a glass of something red, the sun a slow melt into distant hills, sinking deep into the earth, eventually folding into the black of night; the moon ever a pearl in a quilt of stars.

The Archway

Our covered front porch is accentuated by three brick archways. From the viewpoint of standing on the porch, or arcade, each archway is like looking through a window.

I found a new place to write. Sitting on a blue cushion in a wicker rocking chair on my covered front porch, my red dog at my feet. We’re overlooking the garden and perched where we are in the elbow of the street, we can see the comings and goings of our neighbours. Two squirrels squabble in the tree of my neighbour’s yard; Atlas’ ears perk up, but he doesn’t budge—not yet. We are suspended in this peaceful moment together. Even a six-month-old pup knows a good thing when he’s got it.

A van drives past, the squirrel hunting his nut at the curb lifts his frame, shifting the bulk of his weight back onto his haunches, and high tails it in the other direction. Good decision. The whirl of a helicopter cuts through the peaceful chirps of birds, disrupts the gentle breeze. With the hospital nearby, the helicopter signals emergency. Like a cat stepping onto piano keys, the whoosh of the helicopter compresses my heart, plucks each string; the helicopter a harbinger of tragedy, or rescue—or both. Rescue or tragedy or both. I recall the friend of a friend whose newborn needed new lungs to live. The mom waited for lungs for their newborn to arrive by helicopter. For that baby to live, another had to die. Perhaps a car accident, where the baby doesn’t make it, but the lungs remain intact. And that mom, just waiting, waiting, for the sound of the helicopter chopping at the air. Wondering how much longer her baby will survive without the lungs. Reconciling what it means for the lungs to arrive. Reader, they do arrive. As if such impossible longings could ever be reconciled.

A mama robin has built her nest into the vines on the side of our garage leading to our main entryway. I noticed her this morning after I shut the door and peaked behind me through the door’s glass window. The robin held a juicy worm between her beak, and something about the posture of her body, the way she stood erect, alert, puffed breast, on the sidewalk in front of our house, not far from the nest, said “mama”. And that’s how I noticed the nest. The worm disappeared, and soon she was carrying a mouthful of twigs and dry grass and up she flew, into her nest. Around she twirled making herself cozy on top of her eggs.

I haven’t seen her since—it’s worrisome.

Atlas has decided to explore. He momentarily gets himself locked behind the side gate, after I have to scurry across my driveway after him. But he complained almost instantly at the separation of the gate, so I grab him a hunk of wood to chew on, and now we’re back in our spots, me on the blue cushion of the rocking chair, him lazing on patio stones the pinkish-blue twinge of granite, gnawing on wood.

Two dwarf-sized daffodils in my garden are vibrating in the breeze. And the thought occurs to me how much the backs of flowers are like the backs of people, the backside of a flower. Our faces, flower-like, open or closed. I don’t finish that thought because Atlas catches sight of a silver cat, the bell on its collar tinkling, taunting. I warn him a few times—“Atlas!”—but once he sits up, ears perked, any hope of him paying attention to me is lost. He springs to four paws from his place beside me into a crouch position at the end of the porch, then quickly cuts across the grass and onto my neighbour’s driveway. He makes it to her fence, the cat safely on the other side. The silver feline easily slips away in the time it takes me to get my puppy’s attention, which isn’t too long. He comes back to me now, wagging his puppy hips and tail, like wasn’t that fun mom?

I tuck him inside the house, where he whines for me, confused. I wait a beat then attach him to his leash before heading back outside.

Shortly after, our elderly neighbour walks down the street, slowly, slowly. Atlas yanks my arm off trying to get to him. He loves this man.

I can’t keep up with the action through the archway; my pen unable to hold pace. The silver cat comes back, and slinks across the road just as Thirsty’s Lawn Maintenance parks in front of my neighbour’s house. One gas vehicle after another is unloaded and powered up. So much for a place to write in peace and quiet. The motors scream and Atlas throws me a sorrowful glance. But this is a window onto the season and these sights and sounds of summer I gladly accept.

And in this way, we bend from one season into the next, letting go of longings we cannot reconcile. We lean into new worlds coming alive before our eyes, and live as fully as we can, as observers or participants, inside the window, or out.

Dear New MFA Students: Welcome to the Program

Dear New MFA Students: Welcome to the Program

Writer’s Note: This post is inspired by the lovely buddy I’ve been paired with who is heading into the first year of the MFA program at The University of King’s College. They are taking my place as the new intrepid student I was a year ago. In talking to them, as I reflected back over my first year, it occurred to me that some of the information I shared may be useful to others, maybe even entertaining…

Psst. I’ll tell you a secret. Every student, whether they admit it or not, is encumbered by two universal experiences when entering an MFA program: imposture syndrome and the intimidation factor. Imposture syndrome looks like: I don’t belong here, or—my writing isn’t good enough. The intimidation factor is thinking like everyone will be a better writer than me, because they’ve done ‘x’, which derives from the false notion that your writing isn’t good enough. Hopefully, these thoughts come and go so that you aren’t plagued by self-doubt constantly, but I want to reassure you these feelings are normal. Some encounter them more than others. This is a well-documented phenomenon by writers of all stripes. The angsty voice of doubt whispering nasty thoughts in the writer’s ear, clouding their judgement and creativity. Banish that voice, don’t put up with it, shoo it away. You’re in an MFA program now, and—surprise!—that means you are a professional writer with your own form of talent. You got into the program, didn’t you? You are meant to be here. You have earned it, even—especially—if it doesn’t feel that way. You write and you write well. AT LEAST one other person thinks so. We’ll revisit the intimidation factor in a moment.

You’re here—now what? Get writing! Seriously, the cliché, you have no time to waste, is a thing. If you have research to do, start researching. Books to read, get reading. Pages to write—well of course you have pages to write—start getting those ideas down.

The way the University of King’s College MFA program in creative nonfiction is set up, after the summer residency in June, and a few pesky assignments, you have the summer ahead of you to do with as you will. I want to tell you to relax, enjoy the summer—I really do—and you genuinely should take some down time because the fall term is fast-paced, but hear me out: get ahead this summer. Write enough so that when September comes, you know you already have at least a submission or two prepared. Work enough that some of the assignments are off your plate. Look ahead to the assignments you have coming so that ideas filter through your consciousness. As you read good books throughout the summer, those ideas will eventually have somewhere to land. Take notes. Get organized. Write most days. Then relax. By the end of the second term (first year), many of my classmates and I had run out of gas. The work I put in through the summer got me through to the end. I did not for one second think of devoting my summer to writing as “lost time”, I thought of it as a return on my investment. You are spending an enormous amount of energy and resources to get through this two-year period. The MFA program is a once in a lifetime experience. Best to make the most of it.

But if you do have commitments, such as children, ill or aging relatives to look after, your own health, perhaps it’s full or part-time employment, do what you can, when you can. Every bit helps. I make it sound as though I toiled day in and day out, but my reality that first summer was that I spent a significant amount of time looking after my family. Your reality will demand the same of you. Find the blank spaces and fill the page when you can.

And once you do start writing, don’t stop. You will have to go back, edit, and revise when working with your mentor, but keep looking forward, ahead to the next piece, what’s the next section or essay or scene to lay out? Once you build momentum, keep the momentum going.

Remember: this is not a solo venture. The intimidation factor. Ahh, we have arrived. I mention this because you are now a part of an impressive group. In the MFA program you will encounter seasoned journalists, PhDs, MDs, MBAs, professors, editors, publishers of literary journals; writers who’ve headed up newspapers and magazines, whose writing has won prizes, appeared in The New York Times and who maybe have even published a book or two—or more. Maybe you are one of these writers with professional or academic notoriety—or maybe you’re not. Maybe you’re like me, and coming from a different field entirely, relatively “new” to the writing game compared to classmates with whole careers behind them. Writers’ backgrounds are as diverse as the books they produce. Our lives inform our writing. Have you lived? I’m guessing you have. Nobody else is better suited to tell your story than you, and nobody can tell it the way that you can. That your MFA colleagues come from rich and varied backgrounds full of experience is wonderful news! Learn from these people. You are now colleagues. And give freely of yourself in return.

Psst. Here’s another secret. A little tip from me to you. Pretend like everyone in the program is your friend. You heard me. Just do it. My husband baulks when I tell him this. “Just because you’ve met somebody, Adelle,” he’ll say, “doesn’t mean they’re your friend.” He’s right and wrong. If you adopt this strategy, everyone in the program will not, decidedly, become your best friend. But doesn’t it make for a better world and friendlier atmosphere if you imagine that they will be? And I guarantee you will make a true friend or two—or twenty in the process. Moreover, some of these folks will be your first readers, your work’s biggest champions. These people are your allies. Who better to understand the ups and downs of the writing life? Who better to commiserate with over assignments and deadlines? The pains and pleasures in the pursuit of publication?
It took a short time for me to realize that every writer in the program was a unique talent, otherwise, as mentioned above, they wouldn’t be here. What I’m getting at is that comparing yourself to others is futile. Wasted energy. You can expect and celebrate that you and your classmates will each become successful writers; what that definition of success looks like varies depending on individual goals. As you move through the program together, one writer’s success does not detract from another writer’s success. While this may be stating the obvious, rejection is part of a career in writing, so if you do feel the need to compete, race against yourself and see how many rejections you can collect (like gaining friends through manifestation—you’re bound to gain some acceptances along the way).

Oh! And you will be graded. The grading part feels weird, almost wrong. You’re going to put a mark on my heart work? The two seem at odds. My advice is just to embrace it, again, you are a student, and this part of the process can feel rewarding. When else do you get a grade for doing your work? It’s helpful to remember that if you complete the work on time, the grade range for MFA students runs from above average to outstanding. We are all above average writers. Say it with me. We are all above average writers. See? Doesn’t that feel good. Better yet, forget about the grades and use this incredibly brilliant group of individuals to your advantage: tap into their knowledge and skill sets. Which reminds me.

Becoming a part of the MFA community inevitably exposes you to the larger literary community. Make those connections too, where and when you can. Industry professionals will come talk to you. Their presence and attention are part of the perks you’ve paid for. Follow these writers, publishing professionals, editors, agents and so on on social media if their ideas interest you, or if they are someone you could learn from. Don’t be afraid to reach out to them on an individual basis, after you’ve heard them speak, and make a personal connection if you have a comment or question and feel compelled to do so. Do it even if you don’t feel compelled to do so, but know you should. What do you have to lose?

You are a literary citizen now. What does this mean? It means that you should support your fellow classmates whenever you can. Their successes are your successes. Something as small as a ‘like’ or a ‘follow’ is a boost. Many professional writers dedicate time to promoting, celebrating and actively engaging in other writers’ work from reviews to profiles to interviews and attending book launches. The MFA is a good place to get used to this culture of reciprocity, even when the act of writing can feel so singular—it’s not. We’re sewing from the same fabric of the universe, though each patch has its own sheen.

I recall being fourteen years old and openly mocked for the first time. I was a competitive gymnast, peppy and cheerful. The ponytail wagging kind. It may surprise you to find out that not everybody likes peppy and cheerful. I met a wiry looking girl my age who I later found out had a crush on my boyfriend, which may explain what happened next when I introduced myself.

“Hi! I’m Adelle!” I said in my cheeriest tone, extending my hand in greeting.

She did not, I took note, shake my hand.

Instead, she turned her head and said to the group of girls behind her, “Hi! I’m Adelle,” in a snarky mock tone.

While the girl’s reaction says much more about her issues than it does about mine, I share this story to arrive at a point: nobody is going to openly mock you or your work in the MFA program, I promise. There are rules and guidelines around giving feeding, which will come to your attention. Others will be looking to pinpoint what works in your pieces of writing, rather than what doesn’t, because that is helpful information. They will likely have questions too, and that’s okay. Your mentors, professional editors and writers, will gently guide you toward questions that will strengthen your work. Listen with an open heart and you will not be wounded. You are not your narrator, and constructive criticism will pertain to the work.

I could talk to you about deadlines and word count, but I won’t bother, because Dean is there for that.

Perhaps all of what I’m saying doesn’t fully resonate with you, and that’s okay. You get to make this MFA program your own thing. It’s quite likely that you and I are entirely different people. You may be a brood-in-the-dark-corner-of-the-bar-pontificating-and-pondering-life’s-existential-crises, fist-to-forehead, cigarette-dangling-from-your-lips kind of writer, while I’m more of a friendly-run-with-my-dog-ponytail-wagging-mom-of-three-kale-smoothie-drinking-optimist-who-loves-sunshine-and-trails kind of writer. That’s cool. I’d be happy to sit by your side in the dark for the day and learn from you too.

What matters is that we’ve come together from our various corners of the universe, thread in hand. We’re primed to create something, and this is our moment to shine. Raise your needles. On your marks. Get set. SEW!

I hope our seams will butt up against one another’s. I genuinely can’t wait to see what you will make. I know it will be beautiful.

 

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Leave

I want to be upfront about something. I love my family; I am grateful for my quality of life and the joy I get from spending my days writing. I love my husband who keeps me particularly happy and understands my humour when I call him “pony” and tell him to “make it rain” a pros pos of nothing, at least not something I could explain out of context (or in context). I love having my kids in school and I feel an extra abundance of affection for their teachers this year who educate them during the day. After Covid, maybe all parents of school-aged children are feeling this way? I’m having these fond feelings while simultaneously repeating a silent mantra in my head. One that keeps popping up. Leave, the voice whispers. Just go.

I’m completely happy in my work life. I love my Master’s program, engaging with other writers, having my work reviewed and receiving feedback and criticism and giving that gift back to others. And attending literary events. I’m mostly new to the scene of book readings, workshops and panels and it’s been such a rich experience. But I’m missing something. Something Covid has taken from me.

Freedom.

The freedom to connect with others in person, to gather over the holidays and, especially, to travel. I miss travelling. I miss traveling the way you miss an old friend, deep in my bones, like a visceral ache, a phantom limb. The world was there to explore, full of enjoyment and novelty, and now it’s not.

The other day, I was in the middle of an online poetry reading session, one that I was truly enjoying, when my eye caught the bottom of the Zoom screen window. The word ‘LEAVE’ stared back at me in bright letters. Leave. LEAVE. Yes! That is exactly what I want to do. That voice inside me screams louder.

I want to go away; I want to leave right now and be gone, away from here. I tell my husband, “My brain is sick of this place.” I am fine, physically, but my mind, my mind is not. I spend most of my day in the same room where I work, sleep and often eat. My mind is craving something new. An adventure. An escape. LEAVE.

I want to plan a trip, NEED to plan a trip. I pull up travel advisories and wow, that’s just a whole lot of red. The world is bleeding.

I’m in the head space where I want a vacation to look forward to, a means of escape to break up the dreary winter months ahead. I regularly feel that pull this time of year, but this time, no amount of planning is going to make any difference. Covid will decide when and if I go anywhere.

And I know, I know, this is a small loss in a sea of loses. Only a drop into the pool of our collective tears. But it’s how I’m feeling. I’m feeling the loss of experiences I would have had. I’m feeling the activities that have been taken from a chunk of my kids’ childhood. I’m feeling like my home has become a box, or so the story goes at bedtime, “The mommy lives inside a box and the walls keep getting smaller and smaller.” Penelope’s eyes grow wide. “Oh no!” she says, “what happened to the mommy inside?” It isn’t good. For one, she feels squished, which makes her want to lash out.

Space. What an interesting construct. Physical, as in measurable dimensions, but more so, mental, parameters of the mind. Having my husband work from homeis wonderful in so many respects, but before, pre-covid, he travelled extensively, and I was used to his absence, to filling that space. Now there is no space to be filled, instead there is overlap. And even when he was around before, he drove on the daily to his office. I had days without children that were to myself, when I had to cater to no one’s needs but my own and the needs of my work. Not so in the days of Covid.

“Don’t take this the wrong way, but I’m a bit sick of you too pony,” I tell him, not unlovingly. But it’s more than that. I’ve been a ‘stay-at-home’ mom for the past nine years. Finally, FINALLY, and I have been waiting a few years for this, I was getting to the place where I no longer felt like the mommy-in-a-box, caged in. I chose to be home looking after kids and then chose for that time to end. I was regaining my freedom and autonomy. I signed up for my Masters that included two weeks away, AWAY per year and I was so SO excited about that prospect. A break from my family AND the chance to hang out with writers and just write? With the bulk of my time spent at home with my family? Perfect. I was euphoric to be accepted into the program. The trip out east. The New York City getaway. Both since gone virtual. That low-residency piece was the cherry on top. Covid has eaten the cherry, and some of the cake, too.

This isn’t just about me needing time away for myself, but it is that too. I’m better for my family when my own needs are met. And I care about them receiving the best version of me, a mom and wife in a healthy head space, not the mommy-in-a-box who feels claustrophobic and desperate. At this point, I don’t even know if what I need is to go somewhere else, or if just knowing that I could go somewhere else would be enough. I suspect the latter. Call me spoiled, but I don’t do well with being told I can’t.

Over the last few years, I’ve gone on trips by myself. These might be for a conference or to visit a friend, but they are scheduled time away. That space worked its way into my life because I needed it. We all have different needs. Mine involves space and time to myself and in Covid-era, this has become impractical, unsafe and in many instances, impossible. Even going to the library has become perilous.

I am not oblivious to the rest of the world’s needs, but I am acknowledging this one small loss, because maybe, just maybe, you feel your own version of stuck-in-a-box. Covid has pushed the walls of our world smaller.

While instant gratification is nice, I do seem to have a knack for the long hall. Writing a book. Long trips. Marathon training. My marriage.

Waiting for Covid to go away is my least favourite activity, but in this case, I want to be around for the long haul and so I will hold off on the gratification piece. Other than solitary dog hikes in the forest, I’m mostly staying home. Sometimes sitting on my hands, watching my mouth, pulling at my hair. But I’m staying home to keep my family safe. I’m staying home to keep your family safe. I’m working through my personal frustrations and dissatisfactions because it’s the right thing to do. I’m pushing back against the walls closing me in created within the confines of my mind. I’m especially holding onto memories of past travel, allowing myself to dream about a near future where everyone is vaccinated, the world is safe again, where I could go somewhere if I wanted to and hoping this small grievance and annoyance is all I will have to face.

For the time being, I’m relying much more on a cheaper method of travel. Leave, just go, the voice whispers. And so I pick up a book and fall inside, and that world has never been more appealing.

 

The Real Thing

September’s pace hits you in the belly, takes the breath right out of you. Perhaps the greatest indicator are the sounds coming in through my bedroom window from outside at six in the morning. The squealing breaks of large trucks, engines turning over, wheels pressed against pavement. These are not weekend sounds, rumpled sheets, the hot sizzle of oil in the frying pan or the smell of bacon and maple syrup. Another car drives by this morning. Even the sky is screaming with jet engines. Busy, busy, busy. All going somewhere.

Sometimes I want to turn it all off, make the noise go away. I check my phone and my day begins listening to a video of a friend crying. On a phone call with a friend last night, discussing writing, she reminds me that our brains don’t know the difference between real trauma and trauma we relive through our writing, in terms of the toll trauma takes on our bodies, our wellbeing. We feel trauma at a visceral level when we remember it and we actually reexperience it. Does my brain understand the difference between my friend recording a video of herself crying last night and that my friend is likely sleeping soundly when I watch the video today? Probably not. I feel sad when I watch the video because I see her pain, no longer real, but that once was so and were she to be reminded about it, she might be sad all over again too. But maybe not. Perhaps that was a particularly sensitive moment and she’s moved on. Without being there in person myself, I’ll never know the full context.

Online, even when we aren’t there, we are there. Through video and Zoom, we are everywhere now. I’m not sure if my brain knows the difference: that I am not actually going everywhere, it just feels that way. My body, my mind, have travelled into the city, across the country from one side to the other all in one day, and it’s tiring. We feel exhausted, fatigued. Burnt out.

I do have a remedy for this. My dog is my lifeline. I HAVE to walk him/run him/play with him. He gets me outside. Outside this time of year is the sound of crickets chirping, the hot sun beating on my bare arms, fading colour and fresh air with a whiff of decay. In town, it’s the cries of children in the school yard and the barks of dogs greeting passersby. Out of town, it’s trees and dappled light, stretching shadows, dusty footsteps along a well-trodden path.

My dog, my children, they are in the present moment. They are my real life. There is no such thing as past traumas, only the right-here-right-now of the moment. I am filling in a form for the school before I go back to the email I was in the middle of typing before I had to pick the kids up, before I phone that person back, before I join my next Zoom call, before, before…

“Mommy,” says Penelope, my youngest, “come play hockey with me in the backyard.”

“Okay.” I drop the pen and the form. This time they can wait, my four-year-old can’t. Or rather, she can, but real-life beckons.

While Zoom may take me to far-off places, my children keep me right where I am, right where I am meant to be.

Outside we go and the sun is blazing, the grass needs to be cut. Penelope hacks away at a tennis ball with her plastic stick. I teach her to always keep two hands on your stick, see, like this? the way my dad taught me. She hacks at the ground. Lower, quick, like this – see? She pauses to look at me, her eyes hold me and she smiles, delighted to have her mom all to herself. In the flesh. This connection between us cannot be replicated on any screen, or rather, it can, a scene in a movie perhaps, the mother dropping what she’s doing to make time for her youngest, a heartening scene that evokes emotion. The listener feels something, real emotion, love even, that approximates the real thing. But do not be fooled. My phone doesn’t love me. My computer screen does not love me. Exchanged in that glance was authentic real-life, an in-person exchange that cannot be replicated again. The exchanges of real-life are the fabric of the universe, not what happens on a screen. I’m trying to remember that. To tell my body to slow down, step away, get outside and into the folds of the universe. We pass the tennis ball back and forth between us; she hits it really far and we cheer. Our happy cries ring out and there is no replacing this real thing.